Simmons Drums Vst Plugin
VSDSX SDSV Drums by Aly James Lab is a Virtual Instrument Audio Plugin for macOS and Windows. It functions as a VST Plugin, an Audio Units Plugin and a VST 3 Plugin. Simon is a drum VSTi inspired by Simmons Drums. I’m not sure at all how close to the original units it is, anyway I’m quite satisfied with the result. Free vst plugins for fl studio 12, free vst instruments plugins, free plugins for ableton, nexus vst plugin free download zip, free vst plugins for mac, free hip hop vst plugins, free vst.
The SIMMONS SDSV 80s Drum Brain
An analog drum synth legend now in V2
You probably already heard a Simmons drum synth without even knowing it... wondering what was used to produce that huge drum sound?
Simmons pads are rare and expensive these days! True, but you don’t need a real one, just the sound. You can download some samples here. Then you can use a drum replacer plugin like MDA BeatBox, or something similar to trigger the sample with your kick drum.
The Simmons hexagonal shaped Electronic drums were all over the place, on countless records and live shows during the 80s , used by artists and bands like Genesis, King Crimson, Jean Michel Jarre, Prince, Herbie Hancock, Pink Floyd etc...
The sound was not especially realistic but it was not the goal...the goal was to be huge and versatile.
Invented by Dave Simmons, the most famous drum brain called the SDSV or SDS5 was a drum synthesizer, bringing synthesis into the drummer's hands.
Often used abusively to generate only those pewww pewww tom tom sounds, the SDSV module produced a wide range of sounds. With a great punch and sensitivity, a truly unique and cult sound, it can be used for almost everything. The SDSV successor called SDS7 bring some digital low-fi samples in the game and a bunch of additional features like bend direction or FM modulation for a broader range of possible sounds.
The SDSV is a historical piece of gear that has a place in the sound of the 80s and is still used today as a secret weapon.
Only around 5000 of these things are out there so don't count on finding a working one easily or for cheap.
The machine was made by a true innovator. As there were no accurate VST for this legend out there...
I had to make the VSDSX and draw additional features upon a perfect recreation! This is dedicated to Dave Simmons.
The VSDSX VST, which stands for Virtual Simmons Drum System Extended, provides the closest experience to the real thing, for each voice or as it was called (module) it models accurately the analog character of the sound generation, internal circuitry tuning, trigger sensitivity and all the details you can find inside the dedicated manual. for its hybrid voices (HIHAT, CYMBAL, PROM & CLAP are analog but also EPROM based) clocks and counters that read EPROM memory inside a variable sample rate system is perfectly emulated. DAC decodes and output EPROMS data in real-time etc.
It models the SSM2044 filters with fine tuning control over lots of internal circuitry resistors. CV, trigger shapes, and VCA response can also be tuned to produce a wide range of sounds and punch/response, this also emulates how the module will react if triggered with pads or sequencer...
Separate outputs for your DAW, velocity handling etc...You will obtain that legendary powerful analog punch! On top of the cake, one voice can load your own external EPROM image data like on a real SDS1 (EPROM based) pad...This opens up onto a whole new range of sound, still being processed by the circuitry.
VSDSX is now in version 2 and features among other cool things a perfectly emulated Simmons Digital ClapTrap module, a secret weapon which combines a variable sample rate digital source combined with a pitched analog noise, an original feature of the unit was to never produce the same sound twice. Although it is integrated inside VSDSX a dedicated plugin with stereo widening capabilty is provided as a bonus.
VSDSX provides a huge synthetic drum sound by itself and can also be used with great efficiency in drum layering. Parameters automation and modulation can turn this thing into a crazy an creative sound source
Using it for layering with VPROM VST can really bring a nasty funky sound which combine analog and early digital!
Coming as a bonus with your VSDSX 2.0 package, a perfectly recreated ClapTrap plugin with additional stereo capability
Van Halen’s 1984 is one of the most classic rock albums of all time, and was the first LP by the group recorded by them in their own studio, 5150. One of the most distinct sounds on the album is Alex Van Halen’s awesome and unique drum sound. Song like Jump, and I’ll wait have some of the most recognizable 80s drum sounds next to Phil Collins’ famous concert tom sound on In The Air Tonight.
So how can you recreate this sound today? From extensive research into the way 1984 was recorded, as well as Alex’s drums and tastes, it’s actually not as hard as you’d think to get a relatively similar sound as 1984, though it might take some time to get all the pieces put together if you don’t already have similar things.
Part 1 – The kick drum
This is actually one of the easiest parts to accomplish. Why is it so easy? Because believe it or not, the bass drum sound on 1984 is not an actual bass drum, but a Simmons electronic drum pad. Though the picture above shows the kit Alex was playing in the video for Jump, he did not actually use the sounds of these crazily huge kick drums, but instead recorded with a fully electronic kick drum.
You may be thinking, how the heck is that easy? Simmons pads are rare and expensive these days! True, but you don’t need a real one, just the sound. You can download some samples here.Then you can use a drum replacer plugin like MDA BeatBox, or something similar to trigger the sample with your kick drum track. If you have an electronic kick that lets you load your own samples, you could do that as well.
Part 2 – The snare drum
Alex played Steel Ludwig 6.5×14 metal snares, as well as a 6.5×14 rosewood Tama snare, but he always used Remo C.S. head (black dot) on them. So the actual snare type isn’t as important as the head and tuning. He would use a regular clear Ambassador on the bottom, and tune them both medium high. Occasionally he would also put some gaffer’s tape on the snare, but not always. Alex played large 2B sticks, which actually had quite an effect on the sound of the drum. So I recommend playing some large sticks like these to increase the chances of a similar sound.
Part 3 – The toms
Alex’s tom sound on 1984 are simple…. Roto Toms. He used several different size roto toms, with a standard Ludwig floor tom with the resonant head removed. Roto toms are cheap and easy to obtain. However, he would use Remo CS heads on them as well. Also, I would look for larger roto toms, like 12″ and above. But if all is you can find are the smaller ones, you can still make due. For the floor tom, just take your bottom head off your floor tom and muffle it a bit with gaff tape, tuned medium tension. On a few songs on 1984 (such as Hot For Teacher) Alex also used Simmons toms (in addition to the roto toms). If you really want to find these too, you could use any electronic tom, then use a Simmons sample, or even some of the newer Simmons drums have the classic sounds built in.
Part 4 – Cymbals
Alex has always played all Paiste Cymbals, and in the 1984 days he was using a very pingy ride, which was most likely a Paiste 2002 Power Ride .He also used an assortment of Paiste 2002 crashes and chinas, plus 15″ Sound Edge Hi Hats. However, these are all pretty damn pricey. So you could substitute the Paiste PST5 Rock line which comes with a 20″ rock ride, 16″ and 18″ rock crashes, and 14″ sound edge hats, all of which sound great and have similar tones as the more expensive Paistes. You could also pick up a PST5 China to complete the sound.
Part 5 – Miking
Your kick drum mic isn’t going to matter much, since you’ll be replacing the sound anyway, but the snare, a regular old SM57 should suffice. The same should work on the toms, and try to put a bit of distance from the drums to the mics, 1 foot away or so on the roto toms especially. For overheads, use your favorite condenser mics. If you have the room and channels for it, place at least 1 ambient room mic in the room at some distance away from the drums, then mix it in as a natural ambiance.
Part 6 – Mixing
This will have to be dependent on your ears, but but don’t be afraid to put the overheads louder than you normally do. Alex’s cymbals are usually quite loud. The rest is up to your ears and skills!
Simmons Drums Vst Plugins
I hope you found this post helpful and educational. I’d love to hear your attempts, feel free to send them to me!