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• Vst Plugins For Ableton Live
• Best Vst Plugins Vocals Ableton Torrent
• Free Vst For Ableton 10
• Best Vst Plugins Vocals Ableton Free

Re: Best vst plugins Post by jestermgee » Mon Dec 07, 2015 6:05 am My 2c would be to forget about any 3rd party VSTs for the immediate moment and focus on learning live.

1. My approach to vocals changes based on genre, based on what sound I want — and I experiment with plugins and gear all the time. But there are some plugins I keep coming back to that one would see in a lot of my mixes. FabFilter Pro-DS. FabFilter Pro-DS is easily my go-to de-esser.
2. You can’t have a discussion about VST plug-ins for vocals without highlighting Antares Auto-Tune — it’s arguably the world’s best-known vocal plug-in. Even folks who know nothing about audio engineering have heard of it.

Getting the vocals right in a mix is kind of everything. Even if everything else isn’t perfect, if you nail the vocals, you’re still doing ok and the artist will be reasonably happy. On the other hand, even if everything else is perfect, but the vocals are a touch off, it’s going to stick out like a sore thumb and you might lose the gig. Of course, we strive to get everything right — I’m just stressing the point that vocals are the one element you have to absolutely nail.

My approach to vocals changes based on genre, based on what sound I want — and I experiment with plugins and gear all the time. But there are some plugins I keep coming back to that one would see in a lot of my mixes.

1. FabFilter Pro-DS

FabFilter Pro-DS is easily my go-to de-esser.

For a long time, I was actually automating sibilance by hand because I didn’t like the graininess that I got from all the de-essers I tried. FabFilter Pro-DS in wideband mode is as good as automating by hand.

The split band also sounds great and works well on taming harsh tones that can show up around 3 kHz, not just sibilant tones higher up.

2. SoundToys EchoBoy

I spend an inordinate amount of time designing my ambiences, particularly on vocals. It’s not uncommon for me to have three to five delay throws that I automate between throughout a record. EchoBoy gives me the versatility to create a number of delays — from subtle ambience around the vocals to overt effects.

I can do very tight delays for rap vocals, smeared “pa system” delays for rock vocals or highly diffused and spread delays for pop. Basically, I feel like I don’t have many limitations outside of my own creativity.

3. Klanghelm MJUC

I’ve tried a lot of different compressors for vocals, and while there’s a number of hardware pieces I love, I haven’t found too many in the software world. Oddly enough, the one that I keep coming back to again and again is the Klanghelm MJUC, which is one of the least expensive options available.

It’s super versatile with a great tone. It’s transparent enough to not distinctly change the tone, but just colored enough to give the voice a little extra magic. I can’t imagine a genre where this compressor wouldn’t work. And even if I were using some of my very expensive outboard, I would still likely be using this compressor as a parallel return.

4. Waves MV2

There’s usually a point in my mix where I love my vocal sound, but I just want it to be a touch fuller and a hair more forward. This is where Waves MV2 is my finisher. The Waves MV2 has a “low level” limiter which does something really interesting.

Instead of taking level above a threshold and attenuating, it takes level below the threshold and turns it up, keeping the louder signal exactly where it is. This effectively brings the vocal forward without actually turning it up louder. Even setting the low level up to just 2 or 3 adds a distinct amount of body to a vocal.

5. Avid Lo-Fi

Surprisingly enough, the stock Avid Lo-Fi plugin makes this list. Sometimes a vocal comes in too clean to really stand out in the right way. I use very subtle amounts of Lo-Fi to add grit to a vocal or shift the tone ever so slightly darker.

A very common use is for vocals that have a boxy low-mid. I want to get rid of the boxiness so I EQ out the cruddy low-mid, but then I’m missing body in the vocal. I use Lo-Fi to bring some of that body back. Sometimes a touch of distortion also helps the ear find a sound in the mix, so it’s also a good tool for getting a bit of presence in the vocal without having to make EQ changes.

6. Lexicon Vintage Plate

This one is close. I use a lot of different reverbs for a lot of different vocals for a lot of different reasons. And most commonly, I use my hardware Bricasti, but if I had to pick only one reverb to have for vocals in the box, I’d go with the Lexicon PCM Vintage Plate. With this reverb, I don’t believe I’d ever run into a vocal that I couldn’t make sound incredible.

7. Boz Digital Hoser XT

There’s a number of EQs I use on vocals. I use the FabFilter Pro-Q 2 for surgical stuff pretty often. I use Waves Q10 for background vocals very frequently. But if I had to pick one that I use more than anything else, it’s probably the Boz Digital Hoser XT. It’s punchy like SSL-style EQs, but a broader band like API-style EQs, which kind of makes it the perfect vocal EQ in my book.

If the vocal is recorded fairly flat, I love pulling in a bit of “larger than life” smile curve with the broad low and high shelf and then tightening things up by getting rid of any boxy or harsh tone using the two bell bands. It’s a process I do very often.

8. Wavesfactory Spectre

I have a lot of techniques for making a vocal sound rich in a certain frequency range. I will use parallel processing — either band-limited compression or saturation — that targets that range. It’s a bit of a process to set up and it’s a little tricky to dial things in just right. Getting a vocal to sound rich is even trickier when the vocal was not tracked in the best way possible. However, Wavesfactory Spectre has made this process much easier. Spectre works like an EQ but instead of boosting frequency content it boosts harmonic energy at a target frequency. This is exceptionally useful when it comes to getting vocals to sound full in the lower mids.

Turn the playback level very low with the entire mix going. Listen to the vocals. If they sound thin or diminished in any particular frequency range, grab Spectre. Set the “Mix” to 100%, and dial in just enough of that frequency range to make the vocals stand over the record. Then turn the “Mix” down to a lower percentage until the vocal seems to glue itself back into the track again. I find a little bit goes a long way. A dB or two boost at 30 to 50% is usually plenty. Experiment with the distortion algorithms — I find myself going to “Warm Tube” very often. And set the Quality to “Best.” Instant rich vocal.

Vst Plugins For Ableton Live

Bonus: PSP B-Scanner

A lot of Pop and R&B vocals benefit from a bit of chorusing/modulation. It gives them some tonal movement, texture and a sense of spread. My favorite choice for this process is the PSP B-Scanner, and I don’t believe this is at all what PSP intended for the plugin. But damn if it doesn’t sound sexy tucked under a vocal 12dB down.

Now, I didn’t list this in the primary seven because I don’t believe this plugin would work well for Rap or Heavy Rock. I can’t exactly call this one a “favorite” for everything, but I had to at least mention it.

If I had nothing other than these plugins listed, I don’t believe I’d have any restriction in mixing any vocal, from Top 40 Pop to grimy Punk-Rock. I’d be happy as a pumpkin in a pumpkin patch, and I’m pretty sure that’s not even a real expression.

Mixing Vocals Tutorials

How to Creatively Deal with Comb Filtering on Vocals

Getting the vocals right in a mix is kind of everything. Even if everything else isn't perfect, if you nail the vocals, you're still doing ok and the artist will be reasonably happy. On the other hand, even if everything else is perfect, but the vocals are a touch off, it's going to stick out like a

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Over the last decade, autotune has evolved from a subtlety producers and engineers use to alter vocals and correct out of tune notes to a full-blown identity for certain musicians. Now, predominantly used in the realms of trap and left-field pop music, fans will even be able to identify an artist just by the way their distinct autotune sounds. There are a variety of plugins available which can generate these desired sounds, so to help you get to grips with what autotune does and the best tools for the job, we’ve put together a list of the best autotune plugins on the market.

If you’re looking to learn how to produce music like a pro working with audio plugins and DAWs, our online school can help. Studying online with Point Blank has never been better and now, with 25% off our Online and LA courses until 28th September, it’s the perfect time to kick start your music career with us.

What is Autotune?

Autotune essentially is a piece of digital software which can alter the pitch of a singer’s voice during a live performance or afterwards in post-production. The way autotune works is by changing the speed of the vibration of a certain note to increase or decrease the pitch. To create a seamless and smooth sound, autotune can then remove or add vibrations to keep the duration of the note the required length. Although this highly sought after robotic effect can be created by a vocoder and talkbox it’s important not to get them confused. The vocoder, which was invented in 1938, synthesizes human speech using different band frequencies whereas a talkbox lets musicians shape the sound of an instrument using their mouth and a plastic tube.

1. Antares Audio Technologies Auto-Tune

As the original developers and registered trademark owners of the autotune effect, it only seems right to head up our list with Antares Audio Technologies Auto-Tune. Since its initial release in 1997 Antares Auto-Tune plugins have come a long way. They now have a number of different versions available such as their flagship Auto-Tune Pro ($399) which is the most complete and advanced edition of Auto-Tune to their affordable Auto-Key ($49) and everything in between. Antares Auto-Tune is great for both detailed transparent tuning and creating that extreme autotune effect using a MIDI keyboard. Check out their different audio devices here.

2. Waves OVox

Our partners, Waves Audio, are renowned for the quality of their audio plugins – and their autotune plugin is no different. OVox is an all in one powerhouse which enables you to pitch, tune, harmonize and arpeggiate vocals as well as create classic vocoder & talkbox effects. The Note Mapper allows you to easily work with chords, scales and harmonies adding Daft Punk-style robotic tones to your vocals.

3. Melodyne

Although Antares were the first to create the autotune effect, Celemony developed their own stand-out take on the effect with Melodyne. Melodyne enables music producers and sound engineers to edit audio in crystal clear ways by editing notes directly. The ability to manipulate the pitch, formants, dynamics and timing of the on-screen notes allows you to reimagine and edit vocals, piano, guitar, synth and more hours, weeks or even years after the recording session. Although not the best for extreme autotune effects the 99€ essential version is great for detailed transparent tuning.

4. The Mouth

From Tim Exile, the man who brought us ‘The Finger‘, The Mouth helps generate melodies and harmonies out of any audio you feed into it. Whether you’re a singer, beatboxer, bass guitarist or synth player, you’ll be able to channel your sounds into The Mouth. The plugin is able to detect the pitch of an incoming audio source, autotune it and transform it into a scale or customised melody from MIDI notes.

5. Logic Pro’s Flex Pitch

Logic Pro’s inbuilt Flex Pitch is a stock plugin which can yield fantastic results. When activated, Flex Pitch splits your vocal or audio sample up into separate pitches so it’s easy to see which notes are being triggered by the sound. Once editing your audio samples you’ll be able to automate the volume, adjust vibrato, the formant and more giving you complete control of how your sound will end up. Take it to the extreme or keep your edits subtle with Logic’s Flex Pitch.

6. BeatLab’s Autotune for Ableton Live

Best Vst Plugins Vocals Ableton Torrent

Our friends over at BeatLab have modded Cycling 74 Autotuna which is included in Max 7 Pitch and Time Machine pack. Now, with BeatLab’s moded autotune, you can easily select which scale you want to pitch correctly. It’s incredibly simple and easy to use – see for yourself by watching the video here.

The above list is by no means exhaustive and represents just a small amount of the very best of the wealth of autotune plugins available to producers today. Though the above plugins are, in our opinion, our favourite and most-used in our own productions, it’s always best to experiment with others to find out what works for you.

If you’re interested in learning more about how VSTs work, as well as the likes of Ableton, Logic Pro and more, you can register to study with us at Point Blank online.

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